**FREE* PH Awards: THE LOST BUS
Date: 11/04/2025 at 8:00PM ET / 5:00PM PT ‐ Encore
Date: 11/04/2025 at 11:00PM ET / 8:00PM PT ‐ Encore 2
Description:
Sponsored by Apple Original Films
From director Paul Greengrass and inspired by real events, “The Lost Bus” is a white-knuckle ride through one of America’s deadliest wildfires as a wayward school bus driver (Matthew McConaughey) and a dedicated school teacher (America Ferrera) battle to save 22 children from the terrifying inferno. (Description by Apple Original Films)
Guest:
Guest Bio:
William Goldenberg, ACE, is one of the industry’s most well-respected and sought-after film editors. He won an Academy Award, BAFTA Award, and the American Cinema Editors’ (ACE) Eddie Award for his outstanding work on the 2013 Best Picture winner, Argo, directed by Ben Affleck.
Goldenberg received dual Oscar nominations in 2013, being nominated for both Argo and Kathryn Bigelow’s Zero Dark Thirty, the latter together with editor Dylan Tichenor. He received Academy Award, BAFTA and ACE nominations for The Imitation Game, Seabiscuit and The Insider.
In 2024, Goldenberg made his directorial debut with Unstoppable, starring Jharrel Jerome, Jennifer Lopez and Don Cheadle. He recently completed Paul Greengrass’sThe Lost Bus and is currently editing Affleck’s Animals.
His film credits include Affleck’s Air (ACE Nomination); Live by Night and Gone Baby Gone. The crime thriller The Outfit; Paul Greengrass’s News of the World, produced by and starring Tom Hanks. He worked with Michael Bay on Transformers: Dark of the Moon and Transformers: Age of Extinction both of which grossed more than $1.1 billion.
Goldenberg edited 22 July, written and directed by Greengrass; Detroit, directed by Bigelow; Concussion, starring Will Smith; and Unbroken, directed by Angelina Jolie. Goldenberg was also part of the editing team on Michael Mann’s Heat, Ali, and Miami Vice.
He cut the Jerry Bruckheimer-produced films National Treasure: Book of Secrets, National Treasure, and Coyote Ugly. His earlier credits include Alive, The Long Kiss Goodnight, Pleasantville and Domino.
Goldenberg received an Emmy nomination for Outstanding Editing for a Miniseries/Special for Citizen X and edited the Oscar nominated short Kangaroo Court.
At the 32nd EnergaCamerimage International Film Festival, Goldenberg was honored with the Camerimage Award for Best Editor, recognizing his decorated career.
Peter Dudgeon is an editor of the upcoming film THE LOST BUS, directed by Paul Greengrass, with whom he previously collaborated as an additional editor on NEWS OF THE WORLD and 22 JULY. He has also worked with director Eric Appel on DIE HART 2: DIE HARTER, and WEIRD: THE AL YANKOVIC STORY, as well as director Josh Ruben on DIE HART 3.
Peter earned a Bachelor of Fine Arts in Playwriting from The Theatre School at DePaul University before pursuing an MFA in Film Directing at Boston University. While in Boston, he worked as a casting assistant on such films as GONE BABY GONE, THE DEPARTED, and THE TOWN. However, his true calling was in editing, which led him to Los Angeles to refine his craft.
Under the mentorship of Academy Award-winning editor William Goldenberg, Peter rose through the editorial departments of several major films, including ZERO DARK THIRTY directed by Kathryn Bigelow; THE IMITATION GAME, directed by Morten Tyldum and written by Oscar-winner Graham Moore; CONCUSSION, written and directed by Peter Landesman and starring Will Smith; LIVE BY NIGHT, written by Dennis Lehane and directed by Ben Affleck; DETROIT, also directed by Bigelow; and OCEAN'S EIGHT, directed by Gary Ross and starring Cate Blanchett, Anne Hathaway, Sandra Bullock, Sarah Paulson, and Mindy Kaling.
Oliver Tarney is a British supervising sound editor who has worked extensively with director Paul Greengrass, beginning with United 93 in 2006. Since then, he has overseen the sound on a series of Greengrass’s films, including Captain Phillips, 22 July, and News of the World. Tarney has also contributed to many other notable productions including The Martian, 1917, and No Time To Die, earning five Academy Award nominations for his work. With The Lost Bus, Tarney marks his seventh collaboration with Greengrass as supervising sound editor, continuing a partnership that spans nearly two decades.
Rachael Tate is a supervising sound editor with over two decades of experience in film sound. She began her career as an ADR recordist at De Lane Lea Studios before moving into dialogue and ADR editing on studio features including The Martian, Jason Bourne, and Alien: Covenant.
She received widespread recognition for her work on Sam Mendes’ 1917, for which she was awarded a BAFTA for Best Sound and nominated for an Academy Award. Since then, she has worked on a number of high-profile productions, including No Time to Die, News of the World, Empire of Light, and Thirteen Lives.
Chris Burdon has established himself as one of the best and most in demand re-recording mixers in the UK. This has led to him working with many of the world’s leading directors and producers on a wide range of award winning films. “Growing up in a musical household nurtured a keen interest in music which developed over time into a passion for film sound. I cannot overstate how much I enjoy collaborating with the whole ‘team’ to create the best sound mix for any given project. What a privilege to have worked with so many brilliant movie makers with the added bonus of mixing music by some of the best film composers on the planet.” Chris’ many credits include ‘Children of Men’, ‘Captain Phillips’, ‘Edge of Tomorrow’, ‘Wonder Woman’, ‘Top Gun: Maverick’ and ‘Mission Impossible Dead Reckoning’ He won an Academy Award and CAS for ‘Top Gun Maverick’ which added to a number of BAFTA and CAS nominations.
William Miller is a highly acclaimed Re-Recording Mixer whose work has led to collaborations with some of the world’s most celebrated film directors, including Ron Howard, Sam Mendes, Edgar Wright, Ridley Scott, and Paul Greengrass. In 2021, he received both BAFTA and Academy Award nominations for his work on "News of the World". In 2025, Miller reunites with Paul Greengrass for the acclaimed filmmaker’s latest project, "The Lost Bus".
Lisa Piñero started recording sound professionally on documentaries for PBS and the BBC. In the late 1980’s, she began working as a production sound mixer on television movies and commercials. Since then, Lisa has mixed mostly theatrical feature films along with occasional television pilots or limited series work. Recent projects include Luca Guadanino’s Challengers, Paul Thomas Anderson’s Licorice Pizza, and a Paul Greengrass film titled The Lost Bus.
Charlie Noble is a VFX Supervisor with over 30 years of experience in the visual effects industry. He joined MPC in 1988 and was the first artist alongside Richard Bain to form their feature film visual effects department. He left after 10 happy years to co-found DNEG. He is currently freelance and recently worked as production visual effects supervisor for No Time to Die for which he received nominations from the Academy, Bafta and the Visual Effects Society. Since then he worked on Havoc for Netflix and The Lost Bus for Apple where he reunited with director Paul Greengrass. as production VFX supervisor having previously worked with the director on Jason Bourne, United 93, The Bourne Ultimatum, Green Zone and his critically acclaimed biopic Captain Phillips. His work on Bourne earned him his fourth VES nomination.
After Captain Phillips, Noble supervised DNEGs VFX work on Ridley Scott’s biblical epic Exodus: Gods and Kings and on Stephen Spielberg’s Cold War thriller Bridge of Spies, for which he was nominated for Best Supporting Visual Effects at the VES Awards 2016.
Since co-founding DNEG in 1998, Noble has lent his skills to numerous high-profile movies, including Harry Potter & The Prisoner of Azkaban, Attack the Block, Batman Begins, The Duchess and Captain America: The First Avenger. In 2004 he won a Primetime Emmy Award for his work on the HBO series Dreamkeeper.
From the far North of England, he moved to London in 1986 and his first job was as a 3rd AD shooting corporate promotional films, he then followed one of these into the film cutting room as an assistant editor. This sparked a passion for editing and he moved on to take up a position in the film cutting rooms at The Moving Picture Company ( productions ), cutting 35mm and 16mm as well as assisting track laying and film opticals. His interest in film opticals led him to be the first to raise his hand when the digital visual effects department was being set up at MPC.
David Zaretti is a Primetime Emmy and VES Award nominee with nearly 20 years of experience in visual effects, specializing in both series television and feature films. He recently contributed to the upcoming Paul Greengrass feature, The Lost Bus, as a Visual Effects Supervisor.
He also served as ILM Visual Effects Supervisor on the Disney+ Star Wars series, The Acolyte, for showrunner Leslye Headland. Prior, he oversaw ILM’s work as VFX Supervisor on the VES-nominated series Willow. As Compositing Supervisor on Marvel’s WandaVision, he earned a VES Award nomination for Outstanding Compositing and Lighting for the unforgettable “Goodbye Vision” scene in the series finale.
Before joining ILM in 2020, Zaretti worked at DNEG, Pixomondo, and RISE FX, among others. While at DNEG, he received his first Emmy nomination for his contribution as compositing Supervisor to the Netflix series Altered Carbon for Outstanding Special Visual Effects, where he oversaw the 2D team to create the visual aesthetic for the opening episode of the show featuring a futuristic cityscape both above and below the clouds with flying vehicles, water simulations, holograms and an underground stronghold built around an ancient mystical tree.
Russell Bowen is a seasoned VFX Supervisor at beloFX. He most recently supervised visual effects on Paul Greengrassʼ upcoming film, The Lost Bus.
His other recent projects include the upcoming A24 film Mother Mary and the Star Wars Original series, The Acolyte.
Before joining beloFX in 2022, Russell spent 14 years at DNEG, where he rose through the creative ranks from runner to VFX Supervisor. It was in this role that he supervised 900 shots created by DNEG as lead VFX vendor on Shazam! Fury of the Gods. Russell additionally served as VFX Supervisor on The New Mutants.
With a deep-rooted command of the visual effects pipeline, Russellʼs portfolio includes work as DFX Supervisor on Venom: Let There Be Carnage and Togo and as CG Supervisor on Alita: Battle Angel and Pacific Rim Uprising.
Further projects that he has contributed to in varying roles include The Fate of the Furious, Star Trek Beyond and Ant-Man, to name just a few.
Russell also has significant on-set experience, having overseen everything from Main Units to Heli Plate Acquisitions, Lidar and Actor scanning and VFX Splinter Units. He excels in close collaboration with Directors, Producers and Production Supervisors to safeguard and execute the clientʼs creative vision throughout every step of production.
Gavin Round is a VFX Producer with over 20 years of experience within the visual effects industry. After graduating with a degree in Fine Art, where he focused on video installation and 16mm short films, Gavin began his career in 2001 as a runner at Framestore, London, where he moved up through the visual effects, editorial and digital intermediate departments.
From VFX Editor and Coordinator to freelance Production Manager on several large Warner Bros movies, Gavin has been a freelance VFX Producer since 2017 and recently worked on first two seasons of Netflix’s The Witcher, for which in 2022 he won a BAFTA TV award for visual effects and was nominated for a Primetime Emmy award for outstanding visual effects in the same year.
Gavin has recently worked on the Meg 2 with Ben Wheatley for Warner Bros and The Lost Bus with Paul Greengrass for Apple.